Nobody has a job title like mine any more, and yet: keep the movement smooth, keep the shock out. Head Reflex MLT does that for a racquet. It is a 100% nylon multifilament of over 1,300 filaments bound in PU resin, which is what makes it so easy on the arm while still offering real control.
This is the 16 gauge, 1.30 mm — the durable version of a soft string — in a 12-metre set for one racquet. Manaus is a city that had everything shipped in through one door, so I feel professionally seen.
Step through into the Teatro Amazonas, rose-pink and columned above a plaza paved in wave-patterned black and white stone, with a dome tiled in the national colours.
It went up at the height of the rubber boom, when the city grew suddenly rich and imported its materials and its craftsmen wholesale: ironwork from Scotland, marble and furnishings from Italy and France, and a stage curtain showing the meeting of the rivers. The road outside was surfaced in rubber to muffle the carriages during performances.
Then plantations in Asia took the trade away, the theatre sat unused for decades, and it now runs an opera festival and a resident orchestra.
Down on the bank of the Rio Negro, the Mercado Municipal Adolpho Lisboa opened in 1883, its cast-iron frame imported from Europe on the model of Les Halles with ironwork attributed to the Eiffel workshops; it still sells the produce of the basin — pirarucu and tambaqui, açaí, cupuaçu, guaraná, and dozens of fruits with no names outside the region — and it stands beside the floating port of 1902, built for a river that rises and falls many metres a year.
Just below the city, the Meeting of the Waters runs the dark Rio Negro alongside the pale Solimões for a long distance without mixing, a sharp wavering line across an enormous sheet of water, the two held apart by differences in temperature, speed and density.
And on Avenida Sete de Setembro the Palácio Rio Negro, a white belle époque mansion behind iron railings and mango trees, was a German rubber baron's house before the state bought it for a governor's palace, and is now a cultural centre.
You will string this set everywhere from a hard court in central Manaus to an indoor hall in Belém, downriver, and by the way, it is also perfect for an afternoon boat out to the confluence, where two things move side by side at different speeds and neither one has to give way.
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