There is a moment in every hull where you stop adding stiffness and start adding give, because a boat that cannot flex snaps. Racquets are the same and nobody wants to hear it.
This is one 40-foot (12 m) set of Head Velocity Power, 16 gauge / 1.30 mm: a soft multifilament made of many fine bonded fibres, cut for a single racquet. Where a co-polyester is a rigid frame, this is a sprung one. The ball sinks into the bed, the bed pushes back, and you get depth and pace out of a swing that did not have to be violent.
It is comfortable — genuinely the friendliest thing you can put in a frame short of natural gut — and it gives you touch on volleys and drop shots. The 1.30 mm gauge is the more durable of the two, and that matters, because soft strings notch where they cross. String at your normal tension.
Brescia is nowhere near the sea, which is precisely why it is the right city for a conversation about give. Brescia has always known exactly how far a metal will bend before it stops coming back.
On Via dei Musei stand the columns of the Capitolium, the Roman temple raised in 73 AD under Vespasian, buried for centuries under the hillside as though somebody had tucked it in — and in 1826 the diggers found bronzes hidden in a cavity beside it, among them the Winged Victory, wings spread, arms poised, once inscribing a shield with somebody's name. Somebody's name.
She has been the emblem of the city ever since.
Round the corner, the Santa Giulia Museum occupies the Lombard monastery of San Salvatore, founded in 753 by Desiderius, the last king of the Lombards, and his queen Ansa, who installed their own daughter as abbess; another daughter of that house married Charlemagne and was sent home within a year.
It runs from Roman houses to medieval cloisters without ever leaving one Brescia block. On Piazza della Loggia the Renaissance clock tower carries an astronomical dial in blue and gold showing the hour, the moon and the zodiac, with two bronze figures on top who strike the bell together, century after century, never touching — the Macc de le ure, the fools of the hours.
And below the modern street level sits the Duomo Vecchio, La Rotonda, a round Romanesque cathedral of the eleventh century that you walk down into rather than up to, because the city grew up around it like ivy on a hand.
You will use this set everywhere from a hard court in Brescia to an indoor hall in Milan, an hour west, and by the way, it is also perfect for the climb up to the castle on the Cidneo hill afterwards, which is all slope and no hurry, and of which this string would thoroughly approve.
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