Places, everyone. THE SCENE: a car boot. THE CAST: one dry change of clothes, one clean towel, and — enter, stage left, dripping — the kit you were wearing forty minutes ago. Every one of us has played this scene, and every one of us has played it badly.
This bag is the solution, and I want you to feel the relief of it: a waterproof pouch, 20 by 20 by 44 centimetres, made from recycled material, into which the wet and the sweaty and the frankly unspeakable go, and out of which nothing escapes. Not water. Not odour. Not the memory.
The writing is beautifully economical. It is a simple stuff sack, and simplicity is the hardest thing in the world to do well — no frame, no pockets, nothing to break, just a waterproof envelope that shuts.
It is machine washable, so the bag itself does not become the problem it was invented to solve, and it is fully reusable, which is the entire point compared with the carrier bag you have been using for six years and know in your heart is disgusting. That is the character. It has no other lines.
It rolls flat when it is empty and lives at the bottom of the racquet bag.
Now. BANGOR. A cathedral town on the Menai Strait with a mountain range at its shoulder, and rain, darling, real rain, the kind that arrives sideways off the water and does not so much fall as commit. This is the town that will test this bag every single week of its life.
I want you to imagine it — no, I want you to FEEL it.
And when the weather lifts, Telford's suspension bridge is out there on its stone towers, thrown across the strait in 1826, and I have wept at less. Take the wet things off. Put them in the sack. Look at the bridge.
One waterproof envelope stands between your clean towel and complete catastrophe. Give it the respect the role deserves.
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