Okay so — is everyone getting this? Because I need you to see this frame in daylight before I say anything else. The CX400 Tour Limited is the CX line's forgiving one, and the Limited Edition paint is doing something no other racquet on this shelf is doing. That is not the pitch. The pitch is underneath.
Here are the actual numbers, because I checked them and you should too. One hundred square inches of head, 300 grams unstrung, and a 320 millimetre balance, which is head-light — so it swings fast, and the bigger hoop gives you a sweet spot that forgives the ball you caught half a beat late.
Dunlop builds it as a control frame with power and feel, which in practice means it does not punish an intermediate the way the 95 square inch Tour frames do.
The technology is the full CX set: Sonic Core with Infinergy in both sides of the head for rebound and vibration absorption, Vibroshield to cut the buzz through the frame and throat, Powergrid Stringtech+ widening the cross spacing for spin and power in the middle of the bed, and Control Frame Geometry for stability through the swing.
The Limited Edition dress comes from the MAX 200G of 1982, which is the single most quietly stylish thing Dunlop has ever done and I am amazed it took this long to come back.
And Newcastle upon Tyne. You stand under Grey's Monument, a hundred and thirty feet of stone column with Earl Grey on the top of it, and the whole street plan spills out around you in that pale, confident stone.
This is giving industrial grandeur, and I mean that as the highest compliment available.
Then the Tyne Bridge, one enormous steel arch over the Quayside, which is the shot, and it is the shot at every hour of the day. Take this racquet everywhere from a windy morning on the Quayside to an indoor court back home, and by the way, Grainger Market under its iron and glass roof has been trading since 1835 and the light in there at eleven in the morning is unmatched.
"Control-line engineering in a shape that stops arguing with you."
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