Let us do the sums on this one, because the Gravity Pro is not a purchase, it is a commitment, and the two get confused constantly. What you are taking on is a heavy frame with a dense string pattern and a midplus head — the specification of a racquet that gives you nothing you have not paid for in swing speed. Nobody is subsidising you here.
If you can supply the work, the return is control that no lighter frame will match. If you cannot, you have bought a very handsome liability and it will show up in the third set with interest.
So, the ledger of what Head has put in. It has been upgraded for this generation with Auxetic 2.0, which delivers a plush impact feel and greater stability — plush being the operative word, because the Gravity has always been the softer-feeling of the control frames, and softness in a heavy racquet is what keeps the elbow solvent.
And it is aimed squarely at aggressive next-generation tournament players, which is Head's way of saying: this is not the club frame. On the balance sheet, dense pattern buys precision and costs you free power; mass buys stability and costs you manoeuvrability. Both entries are honest.
A big sweetspot for a frame in this class, which is the line item that surprises people.
Read them before signing.
The Mikvé Israel-Emanuel synagogue of 1674 still has sand spread thick across its floor, and Fort Amsterdam sits at the harbour mouth where the company counted everything that came in and out of Sint Anna Bay. Then the Queen Emma pontoon bridge swings aside for every single ship. Every one. A city that has been reckoning up its traffic for three hundred and fifty years.
Willemstad understands accounts.
"Dense pattern buys precision and costs you free power. Both entries are honest."
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