Everyone arrives here wanting the cable car. Fine, take the cable car. But you have got the name of this dress the wrong way round in your head, so let me fix that before we set off.
Course to Court. Rhone builds performance kit for people who go straight from one thing to the next without a change of clothes in between, and this is that idea in a tennis dress: something you can genuinely play a set in and then keep on afterwards without looking like you have just come off a court.
Not court to bar, not gym to brunch — course to court.
That is the whole design brief and it is a harder one than it sounds. A dress that only works on court looks like kit the moment you step off it; a dress that only looks good off court will bind on the second serve. What I am not going to do is read you a fabric label I have not held.
This one is built to sit in the middle.
You will find the composition and the care on the tag, and you should read it, because a performance knit that is machine washed cold and hung to dry outlasts one that goes through a hot cycle every week — that part is true of everything in your bag.
Narvik is a course-to-court town, if you want the local view. The ore comes down off the Ofoten Line and goes straight into the ships at the quays. No pause. No warehouse. Train to hull.
And the harbour is ice-free, which is the only reason any of this exists here, and the museum in the 1902 building by Paul Due will tell you that better than I can, though I will tell you anyway. The war museum holds a Victoria Cross and a German Enigma machine from the 1940 fighting, and people go quiet in there, as they should.
Train to hull, court to street. Nothing here stops halfway.
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