One does not simply wear socks. One selects them. And since I am the only person in this group who understands that the sock is the last visible thing between an exceptional shoe and an exceptional leg, allow me to explain what has been done here.
Crew height — the tall cut, the deliberate cut, worn by people who have chosen it rather than people who grabbed whatever was in the drawer. Cushioned at the heel and the toe, which is where the court hits and where cheap socks surrender.
A mesh panel across the top of the foot for ventilation, precisely placed, because heat leaves the foot from there and only an amateur ventilates a sock uniformly. Soft stretch fabric that keeps its shape through a full session. CLIMACOOL through the fibre, wicking and dispersing sweat, giving that fresh-skin feel which I personally require.
Sizes small through extra large.
They are, I am afraid, extremely good, and they will be the most competent item you own until you buy the shoes to match.
Luanda. The Fortaleza de Sao Miguel above the bay, Portuguese-built in 1576 — an entire fortress with an ocean view, and yes, I have stood on the walls, and yes, it suited me.
A city with a sense of occasion, which is why we are here.
The Igreja de Nossa Senhora dos Remedios next, whitewashed, seventeenth-century, so blindingly clean in the sun that I had to look away, and I do not look away from things. Then the Palacio de Ferro — an ornate iron building attributed to Gustave Eiffel's own workshop, shipped here in pieces and assembled, which is precisely the level of effort I expect people to go to.
And the Marginal, the palm-lined bay promenade running below the fortress, which exists for the specific purpose of being walked along slowly by someone who wishes to be seen. I have made it my own.
“An iron palace by Eiffel's workshop, shipped across an ocean in pieces. Some of us are simply worth the freight.”
Crew height. Correct cushioning. Ventilated exactly where it matters. Naturally.
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