Nine ounces unstrung. Two hundred and fifty-five grams. I have hauled rope heavier than this frame and I want you to understand what that buys you: speed through the swing, and the ability to get the head round in time when the ball comes at you faster than you expected — which, at a certain point in life, is most of them.
The measurements, since a light frame lives or dies on them. Head 104 square inches, 670 square centimetres — a big face, forgiving on the off-centre hits everyone pretends they do not make. Length 27 inches. Strung it comes in at 9.6 ounces, 272 grams. Swingweight 270, which is low and is the whole point.
Balance 3 points head light.
Flex 70, stiff, so the power comes back out of the frame rather than out of your shoulder. Graphite. String pattern 16 by 17, which is open, and an open pattern lets the strings shift and snap back — that is where spin comes from, whatever anybody tells you about head shape. Recommended tension 50 to 59 pounds.
Beam 23, 26, 23 millimetres.
Syntec Evo grip, and Air Handle Touch in the handle soaking up the shock. It suits a beginner or an improving player, and it suits a strong junior stepping up to a first adult frame, which is a real crossing and deserves a boat that floats.
Panama City, where every ship I ever served on wanted to be. Start at the Iglesia de San Jose in Casco Viejo, and hear this properly: when Henry Morgan came in 1671 the priests smeared the baroque altar of solid gold with mud and told him it had been stolen already. He believed them. It is still there.
Then Panama Viejo, the cathedral tower left standing from the city Morgan actually did burn — the same raid, two different outcomes, one good lie. The Miraflores Locks next: ships lifted fifty-four feet while you watch, fresh water doing the work, and I have gone up in that lock and it does not stop being extraordinary.
And the Biomuseo out on the Amador Causeway, Gehry's collision of coloured metal roofs, which looks like a shipwreck that decided to be cheerful about it.
“They covered the gold in mud and lied to a pirate's face. Best seamanship I ever heard of on dry land.”
Nine ounces, a big face, an open pattern. Light hands, long career.
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