Babolat Pure Strike 100 4th Gen Tennis Racquet

Port Vila, Vanuatu  ·  Tennis Racquets > Adult Racquets > Babolat

Babolat Pure Strike 100 4th Gen Tennis Racquet

A 100-inch-head control frame — correction, 100 cubic inches is area, not volume, pedant's note — at 315g strung, 63 RA stiffness, 21/23/21 beam geometry, 325 swingweight: firm backbone, yet oddly dampened through contact. Fourth generation. Port Vila first, naturally.

↓   Tour Port Vila, Vanuatu

Four stops before the checkout

Port Vila, Vanuatu
01
cardiovascular tennis session — Babolat Pure Strike 100 4th Gen Tennis Racquet at Port Vila Market House with mamas selling produce under the covered waterfront hall
Stop one

Port Vila Market House, mamas selling produce under a covered waterfront hall

Babolat Pure Strike 100 4th Gen Tennis Racquet: Here it is among the market mamas and their produce, in a covered waterfront hall where Port Vila does its edible arithmetic by the heap, bundle, and basket (a unit system I support 97.000%).

02
cardiovascular tennis session — Babolat Pure Strike 100 4th Gen Tennis Racquet beside carved slit gongs and sand drawing displays at the National Museum of Vanuatu
Stop two

the National Museum of Vanuatu, carved slit gongs and sand drawings

Babolat Pure Strike 100 4th Gen Tennis Racquet: Posed near carved slit gongs and sand drawings, it is being culturally upstaged with mathematical elegance; Vanuatu sand drawings are recognized by UNESCO as intangible cultural heritage, which is a fancier bracket than any tennis draw, correction: almost any.

03
cardiovascular tennis session — Babolat Pure Strike 100 4th Gen Tennis Racquet on Iririki Island across Port Vila Harbour
Stop three

Iririki Island, a two-minute ferry hop across the harbour

Babolat Pure Strike 100 4th Gen Tennis Racquet: Iririki Island sits in Port Vila Harbour and is reached by a very short ferry hop from town, so the racquet has technically gone international by 0.002 kilometres, give or take a tide and my dignity.

04
cardiovascular tennis session — Babolat Pure Strike 100 4th Gen Tennis Racquet at Mele Cascades with limestone terraces and the waterfall
Stop four

Mele Cascades, limestone terraces stepping down to a 35 metre fall

Babolat Pure Strike 100 4th Gen Tennis Racquet: At Mele Cascades, limestone terraces step down toward a waterfall of about 35 metres, which is precisely the sort of verticality a topspin lob dreams about before remembering gravity is undefeated.

The Port Vila, Vanuatu track

Babolat Pure Strike 100 4th Gen Tennis Racquet

Written for this world alone.

Strictly speaking, most players describe this frame wrongly, so let me be exact. The Pure Strike 100 is not a spin racquet with control added, nor a soft racquet made stable by weight. It is a stiff-feeling, low-flex frame — and yes, those two things can coexist, which is precisely the point of it.

The stability comes from beam geometry, not from a high stiffness rating, and that distinction is the entire reason the racquet feels the way it does in the hand.

The figures, and I will give them to the decimal where a decimal exists. Head size 100 square inches, 645 square centimetres. Length 27 inches. Strung weight 11.1 ounces, 315 grams (unstrung 10.6 ounces, 300 grams — a difference of roughly 15 grams, which is the strings and nothing else). Swingweight 325.

Balance 4 points head light strung.

Flex 63 RA, and I would ask you to note that 63 is genuinely soft; frames that feel this stable are usually in the high sixties. Beam width 21 mm at the throat, 23 mm through the shaft, 21 mm at the head — a slim profile all the way round, parenthetically the reason it cuts through the air better than its weight suggests.

String pattern 16 mains by 19 crosses.

Recommended tension 48 to 57 pounds. Grip: Babolat Syntec Team. Control Frame Technology marries a square-section beam's stability to an elliptical beam's responsiveness; FSI Control lengthens the ball-to-string contact through the Woofer system; NF2 Tech adds natural flax fibres for vibration filtering and a muted impact sound.

A correction to the usual itinerary, now, because Port Vila is more interesting than the brochure. Port Vila Market House has mamas selling produce under a covered waterfront hall, and it runs on a rhythm nothing on a printed timetable will predict.

The National Museum of Vanuatu holds carved slit gongs and sand drawings — the sand drawings are the remarkable item, a continuous-line notation system where the artist's finger does not lift, which is precisely the kind of constraint I find worth an afternoon.

You will get use out of this everywhere from a hard court in that heat to an indoor court back home in winter, and by the way, it is also perfect for the ferry to Iririki, strictly a two-minute crossing, and worth every one of the 120 seconds.

"A sand drawing made without lifting the finger once. Constraint, precisely applied, is what produces the good stuff."

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