Strictly speaking, most players describe this frame wrongly, so let me be exact. The Pure Strike 100 is not a spin racquet with control added, nor a soft racquet made stable by weight. It is a stiff-feeling, low-flex frame — and yes, those two things can coexist, which is precisely the point of it.
The stability comes from beam geometry, not from a high stiffness rating, and that distinction is the entire reason the racquet feels the way it does in the hand.
The figures, and I will give them to the decimal where a decimal exists. Head size 100 square inches, 645 square centimetres. Length 27 inches. Strung weight 11.1 ounces, 315 grams (unstrung 10.6 ounces, 300 grams — a difference of roughly 15 grams, which is the strings and nothing else). Swingweight 325.
Balance 4 points head light strung.
Flex 63 RA, and I would ask you to note that 63 is genuinely soft; frames that feel this stable are usually in the high sixties. Beam width 21 mm at the throat, 23 mm through the shaft, 21 mm at the head — a slim profile all the way round, parenthetically the reason it cuts through the air better than its weight suggests.
String pattern 16 mains by 19 crosses.
Recommended tension 48 to 57 pounds. Grip: Babolat Syntec Team. Control Frame Technology marries a square-section beam's stability to an elliptical beam's responsiveness; FSI Control lengthens the ball-to-string contact through the Woofer system; NF2 Tech adds natural flax fibres for vibration filtering and a muted impact sound.
A correction to the usual itinerary, now, because Port Vila is more interesting than the brochure. Port Vila Market House has mamas selling produce under a covered waterfront hall, and it runs on a rhythm nothing on a printed timetable will predict.
The National Museum of Vanuatu holds carved slit gongs and sand drawings — the sand drawings are the remarkable item, a continuous-line notation system where the artist's finger does not lift, which is precisely the kind of constraint I find worth an afternoon.
You will get use out of this everywhere from a hard court in that heat to an indoor court back home in winter, and by the way, it is also perfect for the ferry to Iririki, strictly a two-minute crossing, and worth every one of the 120 seconds.
"A sand drawing made without lifting the finger once. Constraint, precisely applied, is what produces the good stuff."
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