Themed Cardio Tennis Clinics in the Fort Lauderdale Area
adidas' tennis top in Scarlet and Collegiate Royal, where the collar's knit structure is the line item separating a two-season ledger from a six-season one. Fabric content remains an unconfirmed figure — no manufacturer data retrieved — and unconfirmed figures get disclosed plainly in Mexico City.
adidas Club Rib Men's Polo Shirt: The Templo Mayor was expanded in multiple building phases, which is how you get a sacred pyramid and a renovation ledger with no mercy. Seven nested structures later, somebody definitely approved change orders without asking procurement.
adidas Club Rib Men's Polo Shirt: The Casa de los Azulejos is famous for its facade covered in blue-and-white Talavera tiles from Puebla. Beautiful choice, financially alarming square footage.
adidas Club Rib Men's Polo Shirt: Construction of the Palacio de Bellas Artes began in 1904 and the building was inaugurated in 1934, which is a thirty-year schedule variance with marble involved. The Rivera murals are excellent; the project manager’s sleep, less so.
adidas Club Rib Men's Polo Shirt: Chapultepec Castle stands on Chapultepec Hill and once served as the residence of Emperor Maximilian I of Mexico. Great view down Paseo de la Reforma, though I assume the hilltop moving costs were not reimbursed.
Let us do this properly, which means starting with what the outlay actually buys. The Club line is adidas' everyday tennis range, not its tour range, and the shirt does not pretend otherwise — no compression panelling, no laser-cut ventilation, nothing you are quietly funding and will never use. Rib is not a decorative word here either.
It names the knit: a flat ribbed collar, which is the detail that keeps a polo standing up after the fortieth wash instead of lying down like a wet leaf. Collars are where cheap shirts die, and this is the ledger line that decides whether you own the thing for two seasons or six.
On the record, the shirt runs in Scarlet and in Collegiate Royal.
On the fibre content I have to record an unknown, and I dislike that as much as you do — the manufacturer's own listing for this shirt would not open, and adidas' Club tennis polos of the same period publish one hundred percent recycled polyester with a two-button placket and a regular fit, which is strong circumstantial evidence and is not the same thing as a confirmed figure.
I will not write a number into a column I cannot source. Everything above it is verified.
Mexico City is the correct place to think about cost overruns, and I say that with real affection. Begin at the Templo Mayor beside the Zocalo, seven nested pyramids peeled back one inside the next, each emperor spending a fortune to bury his predecessor's work rather than repair it — capital expenditure as an act of erasure, repeated seven times.
Then the Casa de los Azulejos, a townhouse sheathed head to foot in blue and white Puebla tile, reportedly built by a son who had been told he would never amount to a house of tile and who then, expensively, amounted to exactly that.
Then the Palacio de Bellas Artes: commissioned in 1904, opened in 1934, marble on the outside, Rivera murals up the stairwells, and sinking into the old lakebed while the invoices were still coming in. I have audited worse, but not many, and not with better results.
Thirty years and a subsiding foundation.
Finish at Chapultepec Castle on its rock, looking straight down the Paseo de la Reforma, the only building in the city that got a view like that for what amounts to the cost of the hill.
"Thirty years to build, and it sank while it was still being paid for. And it was worth every centavo."
That is the lesson, incidentally. Worth it and over budget are not opposites.
